Håkan Hellström | |
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Background information | |
Born | 2 April 1974 Gothenburg, Sweden |
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Genres | Pop Soul Folk pop Power pop Indie Pop |
Labels | TheifMusic |
Associated acts | Broder Daniel Honey is Cool |
Website | www.hakanhellstrom.com |
Håkan Hellström (Swedish pronunciation: [ˈhoːkan ˈhɛlːstrøm]) (born 2 April 1974) is a Swedish musician. He got his Swedish breakthrough in the year 2000 with the song "Känn ingen sorg för mig Göteborg" ("Don't feel sorry for me, Gothenburg"). In 2005, Hellström released his fourth album, Nåt gammalt, nåt nytt, nåt lånat, nåt blått (literally: Something old, something new, something borrowed, something blue), which is a collection of old material that never made it onto any of his albums, a few new songs and covers. In 2006, following the birth of his son, he announced that he would take a break from touring and recording.[1] Despite this, he still performed occasional gigs. Since then he has released his fifth album För sent för Edelweiss (Too Late for Edelweiss). His sixth and most recent album is the critically acclaimed 2 steg från Paradise, released on October 13, 2010.
Hellström played drums in the Swedish indie pop band Broder Daniel between 1988 and 1994, then briefly for Swedish alternative rock band Honey Is Cool. In 1997 he rejoined Broder Daniel to play the bass, until 2003 when he left the band again to focus completely on his solo career. Although sometimes accused for consistently singing out of tune, he has over time grown to be popular with all ages due to his enthusiasm, scene energy and interpretations of old popular favourites live.
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Throughout his career, Hellström's influences have shown clearly in his music, which often includes lines or melodies picked up from other people's songs. The sources range from Evert Taube, via Hellström's own band Broder Daniel, to American indie rock band Pavement. Känn ingen sorg för mig Göteborg was particularly lush with references to Morrissey and The Smiths. While some critics have celebrated Hellström's personal take on music history (and pointed out that Morrissey himself was not a stranger to incorporating lines written by others), it has also led to accusations of plagiarism.
In 2002, Swedish tabloid Aftonbladet ran an article[2] bringing attention to the similarities between his song "När jag ser framåt" and the piece Pie Jesu from Andrew Lloyd Webber's Requiem. "När jag ser framåt" was the second track of the single "Kom igen Lena!". Following the accusations, the single was withdrawn from the market, and re-released with a different b-side.
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